Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison made "Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I)" available on January 5, 2024. The duration of Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) is about 3 minutes long, at 3:03. Based on our data, "Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 32 out of 120 in Charpentier: Médée by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum - hobo kwartet | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM | ||
Charpentier: Magnificat, H. 74: IX. Gloria Patri | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
L'Orfeo, Ato primo: II. Lasciate i monti | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Francesc Garrigosa, Le Concert Des Nations | G Major | 2 | 9B | 85 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: V. Gloria | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Les Arts Florissants, Bernard Deletré, William Christie, Jean-Paul Fouchécourt, Noemi Rime | D♭ Minor | 1 | 12A | 112 BPM | ||
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM |
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