Nicola Porpora, Max Emanuel Cenčić, Dilyara Idrisova, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 1: "O Germanico invitto"" available on November 3, 2017. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #8. Germanico in Germania / Act 1: "O Germanico invitto" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 1: "O Germanico invitto" by Nicola Porpora, Max Emanuel Cenčić, Dilyara Idrisova, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alessandro nell'Indie: Quanto invidio la sorte… Chi vive amante | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 3 | 2B | 117 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
If music be the food of love, Z.379 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 99 BPM | ||
Placida surge aurora, S. 232: No. 1, Placida surge aurora | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 2 | 10B | 92 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée) | Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti | B Major | 2 | 1B | 101 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: VI. Duetto "Kind health descends on downy wings" | George Frideric Handel, Akademie für Alte Musik Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | D♭ Minor | 1 | 12A | 90 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM |
Section: 0.6061489582061768
End: 0.6102261543273926