Erik Satie, William Goodchild, John Williams's '3 Gymnopédies: No. 3, Lent et grave (Arr. J. Williams for Guitar & Orchestra)' came out on 1981. The duration of 3 Gymnopédies: No. 3, Lent et grave (Arr. J. Williams for Guitar & Orchestra) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. 3 Gymnopédies: No. 3, Lent et grave (Arr. J. Williams for Guitar & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Guitarist". In this album, this song's track order is #8. 3 Gymnopédies: No. 3, Lent et grave (Arr. J. Williams for Guitar & Orchestra) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With 3 Gymnopédies: No. 3, Lent et grave (Arr. J. Williams for Guitar & Orchestra) by Erik Satie, William Goodchild, John Williams having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
8 Etudes: 24 Studies, Op. 35, "Exercises": No. 22 in E minor | Norbert Kraft | B Minor | 1 | 10A | 109 BPM | ||
Elizabethan Masque | Fredrico Bayco, Pro Arte Orchestra, George Weldon | A Minor | 1 | 8A | 64 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 136 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Canarios | Gaspar Sanz, Thibault Cauvin | D Major | 4 | 10B | 136 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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