Love's Labour's Lost, Op. 28a: I. The King's Poem - Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths Information

Acousticness: 97%
Danceability: 16%
Energy: 3%
Instrumentalness: 80%
Liveness: 5%
Loudness: 50%
Speechiness: 5%
Valence: 4%
Popularity: 14%
Loudness: -30.184 dB

Summary

"Love's Labour's Lost, Op. 28a: I. The King's Poem" by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths was released on November 3, 1998. With Love's Labour's Lost, Op. 28a: I. The King's Poem being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 14 in Finzi: Clarinet Concerto / Five Bagatelles / Three Soliloquies / Romance by Gerald Finzi, Howard Griffiths. Love's Labour's Lost, Op. 28a: I. The King's Poem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Love's Labour's Lost, Op. 28a: I. The King's Poem BPM

The tempo marking of Love's Labour's Lost, Op. 28a: I. The King's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Love's Labour's Lost, Op. 28a: I. The King's Poem Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Japanese Suite, Op. 33: V. Dance under the Cherry Tree	Gustav Holst, Ulster Orchestra, Joann Falletta	B♭ Major	0	6B	85 BPM
Berceuse	Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey	A Major	0	11B	101 BPM
Canción	Manuel de Falla, Javier Perianes	C Minor	0	5A	76 BPM
God Is Gone Up, Op. 27 No. 2	Gerald Finzi, Trinity Brass, Asher Oliver, Stephen Layton, The Choir Of Trinity College, Cambridge	E Major	1	12B	86 BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Prélude to the Afternoon of a Faun	Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker	C Major	9	8B	85 BPM
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso	César Franck, Joshua Bell, Jeremy Denk	A Major	1	11B	94 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)	Edward Elgar, Los Angeles Philharmonic, Zubin Mehta	E♭ Major	1	5B	142 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	F Major	2	7B	123 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6451842784881592

End: 0.6480989456176758