Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel's '"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette' came out on January 1, 2003. The duration of "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette is about 3 minutes long, at 3:19. Based on our data, ""Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 26 out of 26 in Charpentier: Musique sacrée by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Alcidiane: Recits Italiens chantes par Mademoiselle de la Barre et la Signora Anna Bergerotti | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 165 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Major | 1 | 8B | 76 BPM | ||
Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
L'Orfeo, Ato primo: I. In questo lieto e fortunato giorno | Claudio Monteverdi, Jordi Savall, Gerd Türk, La Capella Reial De Catalunya, Marília Vargas, Le Concert Des Nations | A Minor | 1 | 8A | 108 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: IX. Regina angelorum | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | A♭ Minor | 1 | 1A | 169 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM |
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