"Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers" by Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon was released on October 30, 2002. Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers appears to be safe for all ages as it is not explicit. The song is number 4 out of 9 in Charpentier, M.-A.: Noels and Christmas Motets, Vol. 2 by Marc-Antoine Charpentier, Kevin Mallon. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers by Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Te deum, LWV 55: Te deum laudamus | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Cyril Auvity, Alain Buet | A Minor | 0 | 8A | 172 BPM | ||
Symphonies pour les Soupers du Roy | Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe | F Minor | 0 | 4A | 105 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Médée, H. 491, Act II: Récit. "Prince, venez apprendre" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Thomas Dolie | G Minor | 3 | 6A | 64 BPM | ||
David & Jonathas, H. 490, Act II Scene 3: À votre bras Vainqueur, Chaconne (Jonathas, David, Trois Bergers, Chœur) | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Reinoud Van Mechelen, Caroline Arnaud, Juliette Perret, Blandine de Sansal, Jeanne Lefort | A♭ Major | 1 | 4B | 89 BPM |
Section: 0.6373670101165771
End: 0.6430222988128662