Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe's 'Symphonies pour les Soupers du Roy' came out on March 18, 2022. Since Symphonies pour les Soupers du Roy is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "The Louvre and its music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Symphonies pour les Soupers du Roy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonies pour les Soupers du Roy by Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Violin Sonatas, Sonata in E Minor, No. 4: I. Gracieusement | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Première Caprice, Caprice de Villers-Cotterets: Air | Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg | D♭ Major | 2 | 3B | 115 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Messe de requiem: II. Kyrie | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | E♭ Minor | 2 | 2A | 111 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 2. Salva me, fons pietatis | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 1 | 10A | 132 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM |
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