"Wer klopft? (La Bohème)" by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Peter Anders was released on August 7, 2006. Wer klopft? (La Bohème) appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #12. Wer klopft? (La Bohème) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wer klopft? (La Bohème) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Peter Anders having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du kleiner Herrgott (Madame Butterfly) | Maria Cebotari, Orchester Des Deutschen Opernhauses Berlin | B Minor | 1 | 10A | 95 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Bonjour, amis!" (Hoffmann, Nicklausse, Nathanaël, Wilhelm, Wolfram, Hermann, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | E Major | 2 | 12B | 179 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Die hochzeit des Figaro, K.492, IWM 348, Act I:"Ich weiß nicht, wo ich bin, was ich tue" (Cherubino, Susanna, Graf) | Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Angela Kolniak, Maria Cebotari, Mathieu Ahlersmeyer | A Major | 4 | 11B | 119 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228a: The Opera: Tone, tone, susse stimme (Naiad, Dryad, Echo, Ariadne, Zerbinetta, Bacchus) | Richard Strauss, Maria Cebotari, Karl Friedrich, Margaret Field-Hyde, Gwladys Garside, Edith Furmedge, Royal Philharmonic Orchestra, Sir Thomas Beecham | D♭ Major | 4 | 3B | 74 BPM | ||
Still, nur still (Figaros Hochzeit) | Maria Cebotari, Ernst Kurz, Beate Asserson, Willi Domgraf - Fassbänder, Eduard Kandl, Olga Rieser, Hans Wocke, Gerhard Hüsch, Berliner Rundfunk-Sinfonie-Orchester, Lore Hoffmann, Tiana Lemnitz | G Major | 5 | 9B | 130 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
The Pirates of Penzance: Finale Act One | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | G Major | 1 | 9B | 92 BPM |
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