"Du kleiner Herrgott (Madame Butterfly)" by Maria Cebotari, Orchester Des Deutschen Opernhauses Berlin was released on September 19, 2006. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Cebotari's "Maria Cebotari singt" album is number 15 out of 15. In terms of popularity, Du kleiner Herrgott (Madame Butterfly) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Du kleiner Herrgott (Madame Butterfly) by Maria Cebotari, Orchester Des Deutschen Opernhauses Berlin to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Pirates of Penzance: Finale Act One | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | G Major | 1 | 9B | 92 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Il Pirata, Act I: Parlarti ancor per poco | Vincenzo Bellini, Felice Romani, Javier Camarena, Franco Vassallo, Marina Rebeka, Sonia Fortunato, Gustavo de Gennaro, Antonio Di Matteo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
L'italiana in Algeri / Act 1: Dite: chi è quella femmina? | Gioachino Rossini, Giuliana Tavolaccini, Miti Truccato Pace, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Paolo Montarsolo, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | C Minor | 2 | 5A | 82 BPM | ||
The Bartered Bride: ACT I, Scene 3. Kecal Jak vám pravím | Bedřich Smetana, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228a: The Opera: Gibt es kein Hinuber? (Ariadne, Bacchus) | Richard Strauss, Maria Cebotari, Karl Friedrich, Margaret Field-Hyde, Gwladys Garside, Edith Furmedge, Royal Philharmonic Orchestra, Sir Thomas Beecham | D♭ Major | 3 | 3B | 81 BPM | ||
Las Golondrinas, I parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Gianni Schicchi, Act I: O mio babbino caro | Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Du kleiner Herrgott (Madame Butterfly) | Maria Cebotari, Orchester Des Deutschen Opernhauses Berlin | B Minor | 1 | 10A | 95 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM |
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