The Pirates of Penzance: Finale Act One
Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith
The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)
8:13 November 1, 1991
BPM
92
Key
G Major
Camelot
9B

Embed

Share Link

The Pirates of Penzance: Finale Act One - Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith Information

Acousticness
98%
Danceability
20%
Energy
6%
Instrumentalness
1%
Liveness
9%
Loudness
64%
Speechiness
4%
Valence
5%
Popularity
Loudness
-21.702 dB

Summary

"The Pirates of Penzance: Finale Act One" by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith was released on November 1, 1991. Since The Pirates of Penzance: Finale Act One is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Pirates of Penzance: Finale Act One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Pirates of Penzance: Finale Act One BPM

With The Pirates of Penzance: Finale Act One by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

The Pirates of Penzance: Finale Act One Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember by John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreAdams: Girls of the Golden West, Act I Scene 3: Josefa, you rememberJohn Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreA♭ Major34B83 BPM
Ruddigore: Hail the Bride (Finale Act One) by David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill SmithRuddigore: Hail the Bride (Finale Act One)David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill SmithG Major29B61 BPM
Elijah, Op.70, MWV A25 / Part 1: Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!"Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville MarrinerA Minor08A111 BPM
The Pirates of Penzance: Hold, Monsters! by Eric Roberts, Gareth Jones, Marilyn Hill SmithThe Pirates of Penzance: Hold, Monsters!Eric Roberts, Gareth Jones, Marilyn Hill SmithG Major39B129 BPM
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf BiblDie Fledermaus: Act II: Introduction: Ein Souper heut' uns winktJohann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf BiblF Major17B94 BPM
Del cabello más sutil by Fernando Obradors, José Carreras, Martin KatzDel cabello más sutilFernando Obradors, José Carreras, Martin KatzF♯ Major02B166 BPM
Waltz Of My Heart (from The Dancing Years) by Marilyn Hill SmithWaltz Of My Heart (from The Dancing Years)Marilyn Hill SmithE Major312B83 BPM
Momele by Al Goodhart, Cheri Rose KatzMomeleAl Goodhart, Cheri Rose KatzA Major211B153 BPM
Robinson Crusoe, Act I: Quintet: All right! Sit down and take your places now by Jacques Offenbach, John Brecknock, Roderick Kennedy, Enid Hartle, Marilyn Hill Smith, Yvonne Kenny, Royal Philharmonic Orchestra, Alun FrancisRobinson Crusoe, Act I: Quintet: All right! Sit down and take your places nowJacques Offenbach, John Brecknock, Roderick Kennedy, Enid Hartle, Marilyn Hill Smith, Yvonne Kenny, Royal Philharmonic Orchestra, Alun FrancisD Major510B70 BPM
Paganini: We will heut' Nacht mein Liebster sein? by Franz Lehár, Barry Knight, Chandos Concert Orchestra, Marilyn Hill SmithPaganini: We will heut' Nacht mein Liebster sein?Franz Lehár, Barry Knight, Chandos Concert Orchestra, Marilyn Hill SmithF Major27B96 BPM
ISRC
GBDGA0100981
Label
L-M Records/RCA Records

Section: 0.9424781799316406

End: 0.9484148025512695