"The Pirates of Penzance: Finale Act One" by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith was released on November 1, 1991. Since The Pirates of Penzance: Finale Act One is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Pirates of Penzance: Finale Act One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Finale Act One by Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Ruddigore: Hail the Bride (Finale Act One) | David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith | G Major | 2 | 9B | 61 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
The Pirates of Penzance: Hold, Monsters! | Eric Roberts, Gareth Jones, Marilyn Hill Smith | G Major | 3 | 9B | 129 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Waltz Of My Heart (from The Dancing Years) | Marilyn Hill Smith | E Major | 3 | 12B | 83 BPM | ||
Momele | Al Goodhart, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Robinson Crusoe, Act I: Quintet: All right! Sit down and take your places now | Jacques Offenbach, John Brecknock, Roderick Kennedy, Enid Hartle, Marilyn Hill Smith, Yvonne Kenny, Royal Philharmonic Orchestra, Alun Francis | D Major | 5 | 10B | 70 BPM | ||
Paganini: We will heut' Nacht mein Liebster sein? | Franz Lehár, Barry Knight, Chandos Concert Orchestra, Marilyn Hill Smith | F Major | 2 | 7B | 96 BPM |
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