Eric Roberts, Gareth Jones, Marilyn Hill Smith made "The Pirates of Penzance: Hold, Monsters!" available on November 1, 1991. With The Pirates of Penzance: Hold, Monsters! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Pirates of Penzance: Hold, Monsters!'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Pirates of Penzance: Hold, Monsters! by Eric Roberts, Gareth Jones, Marilyn Hill Smith having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Zigeunerbaron: Act II: So voll Frohlichkeit | Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | C Major | 3 | 8B | 103 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle, Felicity Palmer | E♭ Major | 2 | 5B | 109 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
You, You, You | Wolfgang Amadeus Mozart | E♭ Minor | 2 | 2A | 90 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: A gambler’s life I do admire | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore, Paul Appleby, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
Gentle Breezes | Eric Roberts, Bill Harris, Paul Avgerinos, Barbara Merjan, Nick Bariluk | E Major | 2 | 12B | 128 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM |
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