Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann made "Der Zigeunerbaron: Act II: So voll Frohlichkeit" available on November 1, 2008. The duration of Der Zigeunerbaron: Act II: So voll Frohlichkeit is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Der Zigeunerbaron: Act II: So voll Frohlichkeit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Opera Arias (Baritone): Prey, Hermann - Mozart, W.A. / Lortzing, A. / Marschner, H.A. / Humperdinck, E. / Rossini, G. (1954, 1957)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Zigeunerbaron: Act II: So voll Frohlichkeit is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Der Zigeunerbaron: Act II: So voll Frohlichkeit by Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Minuet from String Quintet in E Major, Op. 13, No. 5 | Boris Khaykin, Bolshoi Theatre Orchestra | G Minor | 1 | 6A | 103 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM |
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