Ruddigore: Hail the Bride (Finale Act One)
David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith
Ruddigore (New Sadler's Wells Opera)
13:13 March 1, 2000
BPM
61
Key
G Major
Camelot
9B

Embed

Share Link

Ruddigore: Hail the Bride (Finale Act One) - David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith Information

Acousticness
97%
Danceability
34%
Energy
22%
Instrumentalness
1%
Liveness
6%
Loudness
72%
Speechiness
7%
Valence
25%
Popularity
Loudness
-16.947 dB

Summary

David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith's 'Ruddigore: Hail the Bride (Finale Act One)' came out on March 1, 2000. Ruddigore: Hail the Bride (Finale Act One) appears to be safe for all ages as it is not explicit. There are a total of 28 in the song's album "Ruddigore (New Sadler's Wells Opera)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Ruddigore: Hail the Bride (Finale Act One) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ruddigore: Hail the Bride (Finale Act One) BPM

With Ruddigore: Hail the Bride (Finale Act One) by David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Ruddigore: Hail the Bride (Finale Act One) Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Mikado: A Wandering Minstrel I by Bonaventura Bottone, Gareth Jones, Malcolm RiversThe Mikado: A Wandering Minstrel IBonaventura Bottone, Gareth Jones, Malcolm RiversE♭ Major25B109 BPM
The Pirates of Penzance: Hold, Monsters! by Eric Roberts, Gareth Jones, Marilyn Hill SmithThe Pirates of Penzance: Hold, Monsters!Eric Roberts, Gareth Jones, Marilyn Hill SmithG Major39B129 BPM
Ave Maria sur la Méditation de Thaïs: A tempo Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra)Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen RiederF♯ Minor211A80 BPM
H.M.S. Pinafore, Act I: Sorry Her Lot by Gilbert & Sullivan Society of HoustonH.M.S. Pinafore, Act I: Sorry Her LotGilbert & Sullivan Society of HoustonF Major17B173 BPM
Handel: Theodora, HWV 68, Pt. 1 Scene 1: Chorus. Handel: Theodora, HWV 68, Pt. 1 Scene 1: Chorus. "And Draw a Blessing Down" (The Heathens)George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oroD♭ Major13B98 BPM
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: Tower warders, under orders (People, Yeomen of the Guard, Second Yeoman) by Arthur Sullivan, Alexander Young/John Carol Case/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte OrchestraThe Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: Tower warders, under orders (People, Yeomen of the Guard, Second Yeoman)Arthur Sullivan, Alexander Young/John Carol Case/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte OrchestraC Major28B78 BPM
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 by Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef KripsDie Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef KripsB♭ Major16B96 BPM
Messa di Gloria: Sanctus by Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen BuddayMessa di Gloria: SanctusGiacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen BuddayD Major210B86 BPM
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante by Giuseppe De Ferraris, Alessandro Minci, Tania Di GiorgioTirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andanteGiuseppe De Ferraris, Alessandro Minci, Tania Di GiorgioB♭ Major16B78 BPM
Breath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra) by Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen RiederBreath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra)Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen RiederF♯ Minor211A80 BPM
ISRC
GBDGA0000319
Label
L-M Records/RCA Records

Section: 0.6388862133026123

End: 0.642258882522583