David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith's 'Ruddigore: Hail the Bride (Finale Act One)' came out on March 1, 2000. Ruddigore: Hail the Bride (Finale Act One) appears to be safe for all ages as it is not explicit. There are a total of 28 in the song's album "Ruddigore (New Sadler's Wells Opera)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Ruddigore: Hail the Bride (Finale Act One) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ruddigore: Hail the Bride (Finale Act One) by David Hillman, Gordon Sandison, Linda Ormiston, Marilyn Hill Smith having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mikado: A Wandering Minstrel I | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | E♭ Major | 2 | 5B | 109 BPM | ||
The Pirates of Penzance: Hold, Monsters! | Eric Roberts, Gareth Jones, Marilyn Hill Smith | G Major | 3 | 9B | 129 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM | ||
Handel: Theodora, HWV 68, Pt. 1 Scene 1: Chorus. "And Draw a Blessing Down" (The Heathens) | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I: Tower warders, under orders (People, Yeomen of the Guard, Second Yeoman) | Arthur Sullivan, Alexander Young/John Carol Case/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | C Major | 2 | 8B | 78 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Ach Belmonte! Ach, mein Leben! - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Walther Ludwig, Peter Klein, Emmy Loose, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | D Major | 2 | 10B | 86 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Breath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra) | Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |
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