"Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt" by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl was released on January 1, 2002. With Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Strauss Ii: Fledermaus (Die)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt by Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Indigo, Op. 349: Marsch | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 3 | 5B | 113 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 2 | 9B | 173 BPM | ||
Die Fledermaus: Act I: Trio: So muss allein ich bleiben | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F♯ Major | 1 | 2B | 116 BPM | ||
Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 73 BPM | ||
Le Cid: Plus de tourments et plus de peine | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
La vie parisienne (Parisian Life): Act I: Finale: Rondo: Paris! Paris Dans une course furibonde | Jacques Offenbach, Michael Glucksmann, Ingrid Kaiserfeld, Andreas Schindler, Klaus Hannes Brock, Martina Serafin, Gotz Zemann, Wolfgang Gratschmaier, Hlin Petursdottir, Leana Legowski, Mirjana Irosch, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 2 | 7B | 182 BPM | ||
Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" | Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis | E Minor | 2 | 9A | 72 BPM |
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