"14 Romances, Op. 34: No. 14, Vocalise" by Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas was released on April 12, 2024. 14 Romances, Op. 34: No. 14, Vocalise is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rachmaninoff: Songs". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. 14 Romances, Op. 34: No. 14, Vocalise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 14 Romances, Op. 34: No. 14, Vocalise by Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Najpiekniejsze piosnki (The Most Beautiful Songs), Op. 4 | Mieczysław Karłowicz, Jadwiga Rappe, Ewa Pobłocka | G Minor | 0 | 6A | 72 BPM | ||
Su le sponde del Tebro: Recitative: Mesto, stanco e spirante - Arioso: Infelici miei lumi | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | A Minor | 0 | 8A | 110 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Requiem in E-Flat Minor: VII. Domine Jesu Christe | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl | E♭ Major | 0 | 5B | 167 BPM | ||
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM |
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