"Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden"" by Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis was released on April 29, 2013. The duration of Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Der Freischütz by Carl Maria von Weber, London Symphony Orchestra, Simon O'Neill, Sally Matthews, Christine Brewer, Sir Colin Davis. The song's track number on the album is #6 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" by Carl Maria von Weber, London Symphony Orchestra, Sir Colin Davis has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | A♭ Major | 2 | 4B | 120 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: IV. Variation III. Poco Adagio | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | B♭ Major | 1 | 6B | 172 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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