Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth's 'Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar)' came out on 1959. Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #12 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar) by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Bube! Agathe hat recht" (Max, Kaspar) being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM |
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