Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko's 'Symphony No.55 in E flat major, The Schoolmaster : II. Adagio ma semplice' came out on January 1, 2012. Since Symphony No.55 in E flat major, The Schoolmaster : II. Adagio ma semplice is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Three Viennese Classic Images Featuring Works by Haydn, Mozart and Beethoven". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No.55 in E flat major, The Schoolmaster : II. Adagio ma semplice's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No.55 in E flat major, The Schoolmaster : II. Adagio ma semplice by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 12 Moderato | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
Sonata No.1 in F major for Cello and Piano, Op. 5 No.1 : II. Allegro vivace | Igor Uryash, Sergei Slovachevsky | F Major | 1 | 7B | 140 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 4 | 4B | 97 BPM | ||
Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM |
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