Alexander Glazunov, Kivov Orchestra, Viktor Fedotov made "Raymonda, Act III: Entree" available on January 1, 1996. The duration of Raymonda, Act III: Entree is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Raymonda, Act III: Entree's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Kivov Orchestra, Viktor Fedotov's "Glazunov: Raymonda" album is number 23 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Raymonda, Act III: Entree is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Raymonda, Act III: Entree by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Der Hochzeitszug (Wedding Scenes) (orch. F. Hertl): I. Wedding Procession | Bedřich Smetana, F. Hertl, Slovak Radio Symphony Orchestra, Robert Stankovsky | C Major | 0 | 8B | 129 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Pictures at an Exhibition: X. La grande porte de Kiev | Modest Mussorgsky, Maurice Ravel, Orchestre Mondial des Jeunesses Musicales, Pierre Hetu | D♭ Major | 1 | 3B | 66 BPM | ||
Les Sylphides: 7. Valse in C♯ minor, Op. 64, No. 2 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 100 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
Act III: Variation 3 (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 118 BPM | ||
Chopiniana, Op.46: 3. Mazurka (Op.50, No.3) | Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | D Minor | 0 | 7A | 82 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM |
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