On November 8, 2010, the song "Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro)" was released by Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern. With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 66 in the song's album "Pas de Deux". In this album, this song's track order is #2. In terms of popularity, Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 2, Variation I (Allegro) by Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Paquita: Variation 2: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 182 BPM | ||
Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 0 | 5B | 85 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Romeo and Juliet, Op.64 - Act 1: The Departure Of the Guests - Gavotte | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 136 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM |
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