Mariinsky Orchestra made "Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)" available on January 1, 2006. The duration of Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 15 out of 53. Based on our statistics, Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) by Mariinsky Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 3: II. Gavotte | Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester | C Major | 1 | 8B | 152 BPM | ||
Einzugs-galopp, Op. 35 | Slovak Sinfonietta, Zilina, Johann Strauss I | A Major | 2 | 11B | 145 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 89 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
世界名曲:春之聲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 2 | 6B | 103 BPM | ||
Act III: Variation 1 (Minkus) | Mariinsky Orchestra | A Major | 2 | 11B | 98 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Cupido, Op. 81: Cupido-Polka, Op. 81 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack | F Major | 2 | 7B | 167 BPM |
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