"Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. With Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse napolitaine (Allegro moderato - Andantino quasi moderato - Presto) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 76 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23e. Pas de quatre: Variation IV (Diamond Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | B♭ Major | 1 | 6B | 100 BPM | ||
Concerto for Piano and Orchestra No. 2, in C Minor, Op. 18: I. Moderato | Baltic New Philharmonia, Norbert Kirchmann | C Minor | 1 | 5A | 75 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Act I: Coda (Toreros) (Minkus) | Mariinsky Orchestra | F Major | 3 | 7B | 116 BPM | ||
Coppelia: Act II - Bolero | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 2 | 11A | 182 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Allegro moderato - Moderato - Allegro vivo) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | G Major | 2 | 9B | 80 BPM |
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