Shylock, Op. 57: V. Nocturne - Gabriel Fauré, RTE Sinfonietta, John Georgiadis Information

Acousticness: 78%
Danceability: 9%
Energy: 1%
Instrumentalness: 1%
Liveness: 6%
Loudness: 40%
Speechiness: 5%
Valence: 3%
Popularity: 3%
Loudness: -36.239 dB

Summary

"Shylock, Op. 57: V. Nocturne" by Gabriel Fauré, RTE Sinfonietta, John Georgiadis was released on June 11, 1997. The duration of Shylock, Op. 57: V. Nocturne is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Shylock, Op. 57: V. Nocturne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 16 in Faure (The Best Of) by Gabriel Fauré. Shylock, Op. 57: V. Nocturne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Shylock, Op. 57: V. Nocturne BPM

The tempo marking of Shylock, Op. 57: V. Nocturne by Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Shylock, Op. 57: V. Nocturne Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato	Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger	E Major	1	12B	94 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	C Minor	0	5A	83 BPM
8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	D♭ Major	1	3B	173 BPM
Grieg : Symphonic Dances Op.64 : No.2 in A Major	Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra	A Major	1	11B	110 BPM
Cello Concerto in E Minor, Op. 85: III. Adagio	Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra	B♭ Major	0	6B	96 BPM
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue	Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra	G Minor	0	6A	99 BPM
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	G Major	0	9B	130 BPM
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III	Robert Schumann, Maria João Pires	A♭ Major	0	4B	91 BPM
Valse-Scherzo, Op. 34, TH 58 (Arr. Bezekirsky)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov	C Major	2	8B	106 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7312142848968506

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