"Exotiska sånger, No. 1: I månaden Tjaitra" by Sigurd von Koch, Tobias Fjälling, Kalle Stenbäcken was released on March 16, 2023. The duration of Exotiska sånger, No. 1: I månaden Tjaitra is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Exotiska sånger, No. 1: I månaden Tjaitra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Nordic Songs". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Exotiska sånger, No. 1: I månaden Tjaitra is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Exotiska sånger, No. 1: I månaden Tjaitra by Sigurd von Koch, Tobias Fjälling, Kalle Stenbäcken having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Kapitel 17 - Folge 42: Der Sandmann | Gruselkabinett, Marius Claren, Tanya Kahana, Marcel Colle, Ernst Theodor Amadeus Hoffmann | C Major | 6 | 8B | 120 BPM | ||
De Vilda Svanarna: De vilda svanarna ("Ack, ännu synes icke") (Bethge [Ly-Y-Han]) | Sigurd von Koch, Anne Sofie von Otter, Bengt Forsberg | B Minor | 2 | 10A | 103 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Winterreise, D. 911: No. 3, Gefrorne Tränen | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
6 Lieder, Op. 86: II. Feldeinsamkeit | Johannes Brahms, Bernarda Fink, Roger Vignoles | E Minor | 0 | 9A | 94 BPM |
Section: 0.7064950466156006
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