Francis Poulenc, Nash Ensemble's 'Cello Sonata, FP 143: II. Cavatine. Très calme' came out on November 1, 1999. Since Cello Sonata, FP 143: II. Cavatine. Très calme is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 34 in the song's album "Poulenc: Complete Chamber Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Cello Sonata, FP 143: II. Cavatine. Très calme is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cello Sonata, FP 143: II. Cavatine. Très calme by Francis Poulenc, Nash Ensemble having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B♭ Major | 1 | 6B | 88 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese. Presto – Meno presto – Molto presto | Johannes Brahms, Giovanni Guzzo, Mate Szucs, Miklós Perényi, Dénes Várjon | D Minor | 2 | 7A | 159 BPM | ||
Violin Sonata No. 1 in G Major, Op. 78: Adagio | Johannes Brahms, Ilya Kaler, Alexander Peskanov | F Major | 0 | 7B | 75 BPM | ||
Piano Trio, Op. 19: IV. Presto | Charles-Marie Widor, Karoly Botvay, Andras Kiss, Ilona Prunyi | A Major | 1 | 11B | 84 BPM | ||
Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | ||
Musical Jewellery Box | Stephen Hough | B♭ Major | 1 | 6B | 74 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 2, Allegro vivace. Scherzando | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM |
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