On February 1, 2010, the song "Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella" was released by Igor Stravinsky, Anthony Marwood, Thomas Adès. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Stravinsky: Complete Music for Violin & Piano". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite for Violin and Piano from Pulcinella, K34 (1925 Version): III. Tarantella by Igor Stravinsky, Anthony Marwood, Thomas Adès having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): III. Scherzo | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | D Major | 1 | 10B | 129 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
A Song of the Night, Op. 19, No. 1, H. 74 | Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 68 BPM | ||
La mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 80 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): II. Danses suisses | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | G Major | 1 | 9B | 103 BPM |