"Symphony No. 1 in G Minor: II. Andante commodamente" by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar was released on May 17, 1995. Since Symphony No. 1 in G Minor: II. Andante commodamente is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vasily Kalinnikov's "Kalinnikov: Symphonies Nos. 1 and 2" album is number 2 out of 8. Symphony No. 1 in G Minor: II. Andante commodamente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in G Minor: II. Andante commodamente by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM | ||
4 Pieces, Op. 51: 1. Fragilité | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fugue | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 80 BPM | ||
Symphony No. 4, Op. 29: II. Poco allegretto (2) | Carl Nielsen, Janacek Philharmonic Orchestra, Theodore Kuchar | G Major | 0 | 9B | 72 BPM | ||
Quartettsatz in C Minor, Op. posth. D.703: Allegro assai | Franz Schubert, Jerusalem Quartet | A♭ Major | 1 | 4B | 111 BPM |
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