"Messager: The Two Pigeons, Act 1: Entrance of Neighbour and Friends" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. The duration of Messager: The Two Pigeons, Act 1: Entrance of Neighbour and Friends is about 3 minutes long, at 3:17. Based on our data, "Messager: The Two Pigeons, Act 1: Entrance of Neighbour and Friends" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 2 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 1: Entrance of Neighbour and Friends's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 1: Entrance of Neighbour and Friends by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Minor, Op. 20: 2. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 88 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Messager: Fortunio, Act 3: "Fortunio, sommes-nous seuls ?" (Jacqueline, Fortunio) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Thierry Dran, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 119 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Sylvia: Act I: Prelude | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 61 BPM | ||
Messager: Fortunio, Act 3: "Si vous croyez que je vais dire" (Fortunio, Maître André, Clavaroche, Jacqueline) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Gilles Cachemaille, Michel Trempont, Thierry Dran, Orchestre de l'Opéra de Lyon | F♯ Minor | 0 | 11A | 185 BPM |
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