"Serenade for Strings in E Minor, Op. 20: 2. Larghetto" by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 2001. Serenade for Strings in E Minor, Op. 20: 2. Larghetto is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 22 out of 23 in Elgar: Enigma Variations; Pomp & Circumstance Marches; Serenade for Strings by Edward Elgar, Los Angeles Philharmonic, Zubin Mehta, London Symphony Orchestra, Arthur Bliss. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Serenade for Strings in E Minor, Op. 20: 2. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for Strings in E Minor, Op. 20: 2. Larghetto by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Lieder, Op. 82, B. 157: I. Lasst mich allein. Andante (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists, Otto Tolonen | B Major | 0 | 1B | 140 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55*: IV. Lento - Allegro | Edward Elgar, BBC Philharmonic, George Hurst | E♭ Major | 1 | 5B | 128 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 3 | 10B | 113 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM |
Section: 0.5939757823944092
End: 0.6009359359741211