Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler's 'Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried)' came out on July 3, 2012. The duration of Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #8 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried) by Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods): Act III Scene 2: Seit lange acht' ich des Lallens nich mehr (Siegfried) being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
German Requiem, Op. 45: Selig sind, die da Leid tragen | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Lucia di Lammermoor / Act 1: Preludio - "Percorrete le spiaggie vicine" | Gaetano Donizetti, Pier Francesco Poli, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM |
Section: 0.6513106822967529
End: 0.6571838855743408