"1. Introitus: Requiem: Requiem in D Minor, K 626" by Orchestra of the Vienna Concert House, Paul Redinowski, The Vienna Singer Boys was released on January 2, 1991. With this song being about 5 minutes long, at 5:09, "1. Introitus: Requiem: Requiem in D Minor, K 626" by Orchestra of the Vienna Concert House, Paul Redinowski, The Vienna Singer Boys is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Requiem, Finished by Franz Xaver Suessmayr (Vollendet von Franz Xaver Suessmayr)". In this album, this song's track order is #1. 1. Introitus: Requiem: Requiem in D Minor, K 626 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 1. Introitus: Requiem: Requiem in D Minor, K 626 by Orchestra of the Vienna Concert House, Paul Redinowski, The Vienna Singer Boys having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Vocalise Op.34/14 | South German Philharmonic Orchestra | A Minor | 0 | 8A | 98 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Act 3: Ich bin`s: Tristan und Isolde | Symphonieorchester Innsbruck, Paul Redinowski, Lorenz Fehenberger, Mina Bolotine, Maura Moreira | B Major | 2 | 1B | 152 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
in A- Minor ,op.16: Allegro molto e marcato, Quasi Presto, Andante maestoso: Concert For Piano And Orchestra | Symphonieorchester Ljubljana, Rundfunk, Dubravka Tomšič, Paul Redinowski | F Major | 2 | 7B | 117 BPM | ||
Concerto grosso in la minore, A-Moll, op. 3/8: I. Allegro | I Solisti di Zagreb | A Minor | 2 | 8A | 96 BPM | ||
Agnus Dei, Op. 11 | Samuel Barber, Ormond College Choir, Douglas Lawrence | D Major | 0 | 10B | 104 BPM |
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