"Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory"" by Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra was released on February 15, 2019. The duration of Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 2 in Elgar: Land of Hope and Glory by Edward Elgar, Royal Choral Society, Sir Adrian Boult, Andrew Davis, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" by Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Jerusalem | Hubert Parry, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | D Major | 2 | 10B | 133 BPM | ||
The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Nabucco: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" | London Philharmonic Orchestra | D♭ Major | 1 | 3B | 124 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM |
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