Radio Orchestra Berlin made "Waltz from Maskarade" available on May 1, 2010. The duration of Waltz from Maskarade is about 3 minutes long, at 3:26. Based on our data, "Waltz from Maskarade" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #76 out of 100 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Waltz from Maskarade is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Waltz from Maskarade by Radio Orchestra Berlin has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Waltz from Maskarade being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio | Tbilisi Symphony Orchestra | G Minor | 1 | 6A | 84 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
1. Introitus: Requiem: Requiem in D Minor, K 626 | Orchestra of the Vienna Concert House, Paul Redinowski, The Vienna Singer Boys | G Minor | 1 | 6A | 81 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Fantasie Impromtu, Op. 66 (Chopin) | Anna Malikova | D♭ Major | 1 | 3B | 78 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto | Dubravka Tomšič | D♭ Minor | 0 | 12A | 72 BPM | ||
The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM |
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