"Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi"" by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli was released on January 1, 2011. Since Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Complete Decca Studio Recitals" album is number 5 out of 271. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" by Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 11 in A Major, K. 331 - Arr. Orchestra: 3. Turkish March - Remastered 2024 | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Hamlet - Acte I - 2ème Tableau : L'esplanade : Prélude | Ambroise Thomas, Carre Et Barbier, Antonio De Almeida - London Philharmonic Orchestra (LPO), London Philharmonic Orchestra | B Major | 0 | 1B | 87 BPM | ||
Sechs Lieder op.19: 2. Breit über mein Haupt dein schwarzes Haar | Richard Strauss, Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | D♭ Major | 1 | 3B | 76 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM |
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