"Violin Concerto No.1 in G minor, Op.26: 2. Adagio" by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe was released on January 1, 1972. Since Violin Concerto No.1 in G minor, Op.26: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Bruch: Violin Concerto No.1; Scottish Fantasia by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Violin Concerto No.1 in G minor, Op.26: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No.1 in G minor, Op.26: 2. Adagio by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Maria João Pires | G Major | 1 | 9B | 112 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | C Major | 1 | 8B | 144 BPM | ||
Bruch: 8 Pieces for Clarinet, Viola and Piano, Op. 83: III. Andante con moto | Max Bruch, Marin Chapoutot, Gautier Capuçon, Melvil Chapoutot | D♭ Minor | 1 | 12A | 73 BPM |
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