Francis Lopez, Roberto Alagna, Yvan Cassar, Paris Symphonic Orchestra, Marc Chantereau, Christophe Guiot, Claude Engel, Laurent Vernerey, Nicolas Montazaud, Javier Contreras, Nicolas Giraud, Francisco Gonzalez made "Andalucia mia" available on January 1, 2006. The duration of Andalucia mia is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Andalucia mia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roberto Alagna's "Mexico : Roberto Alagna canta a Luis Mariano" album is number 2 out of 17. In terms of popularity, Andalucia mia is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Andalucia mia by Francis Lopez, Roberto Alagna, Yvan Cassar, Paris Symphonic Orchestra, Marc Chantereau, Christophe Guiot, Claude Engel, Laurent Vernerey, Nicolas Montazaud, Javier Contreras, Nicolas Giraud, Francisco Gonzalez to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | A Major | 4 | 11B | 134 BPM | ||
Finiculi Funicula | Martin | C Major | 5 | 8B | 63 BPM | ||
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Carmen, Act 1 Scene 5: L'Amour est un oiseau rebelle (Arr. for Countertenor & String Quartet by Eric Mouret) | Georges Bizet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Una Morena y una Rubia: "Seguidillas" | Coros Cantores De Madrid | B♭ Major | 4 | 6B | 92 BPM | ||
Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Monólogo de Pablo. Aquí en este sitio | Carlos Galeffi | C Major | 4 | 8B | 120 BPM |
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