Coros Cantores De Madrid made "Una Morena y una Rubia: "Seguidillas"" available on May 17, 1991. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 1, so we believe that "Una Morena y una Rubia: "Seguidillas"" is a single. In terms of popularity, Una Morena y una Rubia: "Seguidillas" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Una Morena y una Rubia: "Seguidillas" by Coros Cantores De Madrid is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto ii: Para comprar a un hombre | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | G Major | 3 | 9B | 66 BPM | ||
La tabernera del puerto, Acto I: Terceto-Habanera | Pablo Sorozábal, Coros Cantores De Madrid, José Perera, Leda Barclay, Orquesta de Conciertos de Madrid, Enriqueta Serrano | G Major | 1 | 9B | 84 BPM | ||
Gallito | Banda de Musica de la Guardia Real | C Minor | 3 | 5A | 115 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
La salvaora | Manolo Caracol | F Major | 3 | 7B | 78 BPM | ||
Un sueno imposible | Nati Mistral | F Major | 3 | 7B | 87 BPM | ||
Mi Querida España | Cecilia | D Major | 4 | 10B | 127 BPM | ||
Poema de Mi Soledad | Gracia Montes | G Minor | 3 | 6A | 84 BPM | ||
¡Ya hemos pasao! | Celia Gamez | A Major | 1 | 11B | 104 BPM | ||
La Revoltosa | Ataúlfo Argenta | A Major | 2 | 11B | 110 BPM |
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