Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné's 'Luisa Fernanda, Acto ii: Para comprar a un hombre' came out on January 11, 2020. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Federico Moreno Torroba's "Luisa Fernanda (Zarzuela en tres actos)" album is number 6 out of 13. Luisa Fernanda, Acto ii: Para comprar a un hombre is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luisa Fernanda, Acto ii: Para comprar a un hombre by Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
El Cantar del Organillo: "Romanza de Carmela" | Marianela Barandalla | E Major | 6 | 12B | 154 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Ti voglio tanto bene | Beniamino Gigli | D Major | 3 | 10B | 92 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 3 | 5B | 74 BPM | ||
La Revoltosa: "Intermedio" | Ruperto Chapí, Gran Orquesta Sinfonica | D Major | 3 | 10B | 166 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Siete canciones populares españolas - orq. Ernesto Halffter: I. El paño moruno | Manuel de Falla, José Ramón Encinar, Orquesta de la Comunidad de Madrid, Ainhoa Arteta | A Minor | 4 | 8A | 129 BPM |
Section: 0.8764503002166748
End: 0.8828718662261963