"El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered" by Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica was released on May 15, 2006. With El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Various Artists, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica's "La Zarzuela: El Rey Que Rabió" album is number 13 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of El Rey Que Rabió: "Raconto por Jeremías: ¡Por Dios!, ¡Por la Virgen!" - Remastered by Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Entre Sevilla y Triana: "Sevillanas y zorongo" | Florencio Calpe, Ana Maria Olaria | G Minor | 4 | 6A | 96 BPM | ||
La Verbena de la Paloma | Ataúlfo Argenta | E Major | 2 | 12B | 103 BPM | ||
La Fiera / Dile Que No Entro a Verla (feat. Rondalla) | José Oto, Rondalla | C Major | 3 | 8B | 92 BPM | ||
Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 3: 2. El Corpus en Sevilla | Isaac Albéniz, Paris Conservatoire Orchestra, Ataúlfo Argenta | E Minor | 2 | 9A | 121 BPM | ||
Piano Concerto No. 2 in A, S.125: 4. Allegro animato | Franz Liszt, Julius Katchen, London Philharmonic Orchestra, Ataúlfo Argenta | G Major | 3 | 9B | 140 BPM | ||
Mi Tierra Gallega | Orquesta Los Satélites | B♭ Minor | 7 | 3A | 108 BPM | ||
Une fée a passé - Extrait de "Valse de Vienne" | Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli | G Major | 5 | 9B | 129 BPM | ||
Diez Melodías Vascas: Danza - Remastered | Jesús Guridi, Ataúlfo Argenta, Orquesta Nacional De España | G Major | 2 | 9B | 109 BPM | ||
La Violetera | Lilian De Celis | E♭ Major | 6 | 5B | 121 BPM | ||
El Niño Judío: "¡Bowanhia! Diosa excelsa del martirio" | Enrique Garcia Alvarez, Antonio Paso, Pablo Luna, Gerardo Monreal, Joaquin Portillo, Ataúlfo Argenta, Gran Orquesta Sinfonica | A Major | 4 | 11B | 90 BPM |
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