- BPM
- 85
- Key
- C Minor
- Camelot
- 5A
Requiem, Offertorium: II. Hostias et preces - Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale Information
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 4%
- Loudness
- -24.216 dB
Summary
"Requiem, Offertorium: II. Hostias et preces" by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale was released on September 11, 2020. The duration of Requiem, Offertorium: II. Hostias et preces is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Requiem, Offertorium: II. Hostias et preces's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Various Artists's "Jommelli: Requiem" album is number 12 out of 27. Requiem, Offertorium: II. Hostias et preces is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem, Offertorium: II. Hostias et preces BPM
We consider the tempo marking of Requiem, Offertorium: II. Hostias et preces by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
Requiem, Offertorium: II. Hostias et preces Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Grande Messe des Morts: XXI. Sanctus: Maestoso | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Major | 3 | 7B | 76 BPM | |
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Minor | 0 | 8A | 123 BPM | |
 | St. Matthew Passion, BWV 244: No. 12. Aria: Blute nur, du liebes Herz! (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | F Major | 2 | 7B | 93 BPM | |
 | Germanico in Germania, Act II Scene 12: Terzetto. Temi lo sdegno mio (Germanico, Arminio, Rosmonda) | Nicola Porpora, Samuel Mariño, Valer Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak | A♭ Major | 4 | 4B | 126 BPM | |
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- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1274514198303223
End: 1.1307613849639893