Matthew Locke, Ensemble Correspondances, Sébastien Daucé's 'Psyche, Act II Scene 1: Dance of Priests' came out on September 23, 2022. With Psyche, Act II Scene 1: Dance of Priests being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 17 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act II Scene 1: Dance of Priests's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Psyche, Act II Scene 1: Dance of Priests by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Je perds le repos et les sens | Antoine Boësset, Ensemble Correspondances, Caroline Bardot, Etienne Bazola, Lucile Richardot, Nicolas Brooymans, Sébastien Daucé | C Minor | 1 | 5A | 140 BPM | ||
Justitia Sacrum (Whiles I this standing lake) | William Lawes, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 0 | 11A | 84 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Le Sabbat, "Gradisci, o re" (Chœur des Sacrificateurs) | Francesco Cavalli, Renaud Brès, Davy Cornillot, Stephanie Leclerc, Ensemble Correspondances, Sébastien Daucé | B Major | 0 | 1B | 84 BPM | ||
Sonata Duodecima a 3 In A Minor | Dario Castello, Les Barocudas | A♭ Minor | 1 | 1A | 135 BPM | ||
The Little Consort, Suite No. 6 in F Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 81 BPM | ||
Violin Concerto in C Minor, Op. 3 No. 2: III. Andante | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 2 | 5A | 93 BPM |
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