Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's 'Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti' came out on April 3, 2020. With Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 13 out of 50. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 143 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Mass in D Major: I. Kyrie Eleison | Niccolò Jommelli, Billfried Vogt, Helen Barkley, Anna Russo, Thomas Harlington, Jeffrey Donner, Harmoniae Incantus Choir, Harmoniae Templum Chamber Orchestra | D Major | 1 | 10B | 86 BPM | ||
Ouverture-Suite in G Minor, TWV 55:g4: I. Overture | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 3 | 11A | 118 BPM | ||
Missa Paschalis, ZWV 7: Credo. Et resurrexit | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 1 | 1A | 103 BPM | ||
Requiem in E-Flat Major: Dies irae (Chorus, Soloists) | Niccolò Jommelli, Antonio De Lucía, Viorel Kojocaru, Coro dell'Accademia Nazionale Moldava, Orchestra Sinfonica Moldava, Elena Cioric, Beata Ganzel, Silvano Frontalini | E♭ Major | 1 | 5B | 91 BPM | ||
Dido and Aeneas, Z. 626, Act I: Shake the cloud - Banish Sorrow | Henry Purcell, La Nuova Musica, David Bates, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM |
Section: 0.8266487121582031
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