"Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses" by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 46 out of 50. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
La passione di Gesù Cristo, Part I: Aria: Come, a vista di pene sì fiere | Niccolò Jommelli, Filippo Mineccia, Nereydas, Javier Ulises Illán | F Major | 1 | 7B | 100 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Aria. Gedenk an uns mit deiner Liebe (Soprano) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 179 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Dixit Dominus in G: IV. Dominus a Dextris | Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena Borracini | B Minor | 2 | 10A | 103 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM |
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