"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 6." by Sofia Gubaidulina, Eduard Brunner, Gidon Kremer, Tabea Zimmerman, David Geringas was released on January 1, 2002. With this song being about 5 minutes long, at 4:58, "Hommage á T.S. Eliot (1987) - For Octet And Soprano: 6." by Sofia Gubaidulina, Eduard Brunner, Gidon Kremer, Tabea Zimmerman, David Geringas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sofia Gubaidulina, Gidon Kremer, Boston Symphony Orchestra, Charles Dutoit's "Gubaidulina: Offertorium" album is number 7 out of 8. In terms of popularity, Hommage á T.S. Eliot (1987) - For Octet And Soprano: 6. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 6. by Sofia Gubaidulina, Eduard Brunner, Gidon Kremer, Tabea Zimmerman, David Geringas to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
7 Worte (7 Words): VI. Es ist vollbracht | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago | C Major | 3 | 8B | 82 BPM | ||
7 Papillons: No. 7. — | Kaija Saariaho, Anssi Karttunen | G Major | 2 | 9B | 185 BPM | ||
Bartók / Arr. Székely: 3 Hungarian Folksongs from Csík, Sz. 35a: No. 1, The Peacock. Rubato | Béla Bartók, Kalman Berkes, Dezsö Ranki | D Minor | 1 | 7A | 95 BPM | ||
The Light of the End - Pt. 9 | Sofia Gubaidulina, Gewandhausorchester, Andris Nelsons | F Major | 0 | 7B | 129 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM |
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