"7 Papillons: No. 7. —" by Kaija Saariaho, Anssi Karttunen was released on November 1, 2013. With 7 Papillons: No. 7. — being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Saariaho: Du cristal - …à la fumée - 7 Papillons - Nymphéa". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Finland. The popularity of 7 Papillons: No. 7. — is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Papillons: No. 7. — by Kaija Saariaho, Anssi Karttunen having a BPM of 185 with a half-time of 92 BPM and a double-time of 370 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
Lux aeterna | György Ligeti, Daniel Reuss, Cappella Amsterdam | C Major | 0 | 8B | 54 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
L'Amour de loin: Quatrième acte. Deuxième tableau : Songe. Jaufré : "Je l'ai vue, Pèlerin" | Kaija Saariaho, Daniel Belcher, Marie-Ange Todorovitch, Deutsches Symphonie-Orchester Berlin, Kent Nagano | B♭ Major | 2 | 6B | 88 BPM | ||
Blueprint | Caroline Shaw, Attacca Quartet | D Minor | 1 | 7A | 64 BPM | ||
L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. Le Pèlerin : "Peut-être ferais-je mieux de m'en aller" | Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Marie-Ange Todorovitch, Kent Nagano | A♭ Minor | 1 | 1A | 114 BPM | ||
6 Chansons: No. 1. Ca sent le musc… (It smells like musk) | Iannis Xenakis, Stephanos Thomopoulos | A Minor | 1 | 8A | 108 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Verklärte Nacht, Op. 4: Grave (Takt 1) | Arnold Schoenberg, Orpheus Chamber Orchestra | F Major | 5 | 7B | 84 BPM |
Section: 0.5671212673187256
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