"L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. Le Pèlerin : "Peut-être ferais-je mieux de m'en aller"" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Marie-Ange Todorovitch, Kent Nagano was released on September 7, 2009. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kaija Saariaho, Kent Nagano's "Kaija Saariaho: L'Amour de loin" album is number 13 out of 30. In terms of popularity, L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. Le Pèlerin : "Peut-être ferais-je mieux de m'en aller" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Amour de loin: Troisième acte. Premier tableau : Au château de Blaye. Le Pèlerin : "Peut-être ferais-je mieux de m'en aller" by Kaija Saariaho, Daniel Belcher, Deutsches Symphonie-Orchester Berlin, Marie-Ange Todorovitch, Kent Nagano to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Ligeti : Hamburg Concerto : IV Solo, Intermezzo, Mixtur, Kanon | György Ligeti, Reinbert de Leeuw | G Minor | 1 | 6A | 78 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: II | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
4 Kleine Stücke: I. Timoroso | Franz Schreker, Staatsphilharmonie Rheinland-Pfalz, Christopher Ward | D Major | 1 | 10B | 89 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
L'Amour de loin: Deuxième acte. Premier tableau : Clémence. | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Kent Nagano | B♭ Major | 1 | 6B | 169 BPM | ||
Tag des Jahrs: II. Der Sommer | Kaija Saariaho, Helsinki Chamber Choir, Timo Kurkikangas, Nils Schweckendiek | E♭ Major | 1 | 5B | 80 BPM | ||
L'Amour de loin: Deuxième acte. Deuxième tableau : L'Amour de loin. Clémence : "Ja mais d'amor" | Kaija Saariaho, Deutsches Symphonie-Orchester Berlin, Ekaterina Lekhina, Kent Nagano | B Minor | 1 | 10A | 74 BPM | ||
4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM |
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