"7 Worte (7 Words): VI. Es ist vollbracht" by Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago was released on March 1, 2006. The duration of 7 Worte (7 Words): VI. Es ist vollbracht is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 7 Worte (7 Words): VI. Es ist vollbracht's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sofia Gubaidulina's "Gubaidulina: '...The Deceitful Face of Hope and Despair' / Sieben Worte" album is number 7 out of 8. On top of that, Sweden appears to be the country where this track was created. 7 Worte (7 Words): VI. Es ist vollbracht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 7 Worte (7 Words): VI. Es ist vollbracht by Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
Hidden: II. Our | Anna Thorvaldsdottir, Justin Dehart | D Minor | 0 | 7A | 85 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Presto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Enstantaneler: No. 3, Pigeons in Eyüp | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D Major | 0 | 10B | 83 BPM | ||
Le marteau sans maître: "L'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 175 BPM | ||
St. John Passion: V. Hoffnung | Sofia Gubaidulina, Natalia Korneva, Victor Lutsiuk, Fedor Mozhaev, Gennady Bezzubenkov, St.Petersburg Chamber Choir, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 83 BPM | ||
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Seven Words for Cello, Accordion & Strings: II. Woman, Behold Thy Son. Son, Behold Thy Mather | Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza | G Major | 1 | 9B | 171 BPM |
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