"Seven Words for Cello, Accordion & Strings: II. Woman, Behold Thy Son. Son, Behold Thy Mather" by Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza was released on January 21, 2022. With this song being about 5 minutes long, at 4:38, "Seven Words for Cello, Accordion & Strings: II. Woman, Behold Thy Son. Son, Behold Thy Mather" by Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Sofia Gubaidulina: Works for Cello & Accordion". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Poland. The popularity of Seven Words for Cello, Accordion & Strings: II. Woman, Behold Thy Son. Son, Behold Thy Mather is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Words for Cello, Accordion & Strings: II. Woman, Behold Thy Son. Son, Behold Thy Mather by Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Tales of the Magic Tree: IX. Swifts on the Wind | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Minor | 3 | 10A | 116 BPM | ||
Wind | Nature Music | G Major | 1 | 9B | 110 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 6, Pohled nazpět | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Sulla Corda | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM |
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