"Le marteau sans maître: "L'Artisanat furieux"" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain was released on December 15, 2004. The duration of Le marteau sans maître: "L'Artisanat furieux" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Le marteau sans maître: "L'Artisanat furieux"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Le marteau sans maître: "L'Artisanat furieux" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le marteau sans maître: "L'Artisanat furieux" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Violin Concerto In D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | A♭ Major | 1 | 4B | 177 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Pierrot Lunaire, Op. 21 / Part 3: XVI. Gemeinheit! | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | B Minor | 1 | 10A | 170 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM |
Section: 0.7023711204528809
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