Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus)' came out on March 1, 2011. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Cantata "Amor Hai Vinto" RV 651: 1. Amor, hai vinto...2. Passo di pena in pena | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 131 BPM | ||
Requiem: Requiem: III. Sequenz - Dies irae (Coro) | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Minor | 2 | 5A | 109 BPM | ||
Dixit and Magnificat, K. 193: II. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 109 BPM | ||
St. John Passion, BWV 245: Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 1 | 1B | 180 BPM | ||
I. Gott Ist Mein König BWV 71, 2. Aria (Soprano, Tenore): Ich Bin Nun Achtzig Jahr | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Frank Aarnink, Rien Voskuilen, Peter Frankenberg, Ofer Frenke, Ruth Holton, Vaughan Schlepp, Anneke Boeke, Katherin Steddon, Bas Ramselaar, Pieter Jan Leusink | F Minor | 0 | 4A | 92 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) | Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | A♭ Minor | 0 | 1A | 91 BPM |
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